I’ve been drawing the same characters for a few years. Bald heads, no gender, no mouths, just eyes and noses. They live inside my previous Small Simple Steps blog, mostly as cover images. One of them is sitting inside a giant jar saying “I’m stuck.” A voice from outside says: “You’re not a tree. Get moving.”
Dry humor, organisational observations, leadership absurdities. That’s the strip.
The ideas are never the problem. I have 10 to 20 of them sitting on paper right now, thumbnails and notes, waiting to become strips. A professor explaining that innovation is Q+A (questioning plus action), then being asked what Q minus A is. “That’s philosophy,” he says. A person standing outside the box, being told to think outside the box, while a voice from above is also being told to think outside the box. The joke writes itself. Drawing it takes time.
Microsoft Whiteboard, Microsoft Paint, adjusting angles, getting expressions right when your characters don’t even have mouths. That’s hours per strip, sometimes more. So the backlog stays a backlog.
A few weeks ago I uploaded a series of my strips to Gemini and asked it a simple question: what do you need from me to draw in this style? After a few rounds of feedback and iteration, it rendered a 3-panel strip that looked exactly like mine. Same characters, same sparse style. It had added mouths. I told it to remove them. The next render was right.
Then the next one had mouths again. And collars. And shirt buttons on a character that wears nothing but eyes and a nose.
Gemini forgets. It drifts back toward its training data, toward what it expects a character to look like, and I have to reload my source strips and re-edit the prompt to pull it back. A strip I’m happy enough to publish takes 5 to 6 iterations on average.
I want to be honest about that number. It’s still faster than building the same panel in Microsoft Paint. And Gemini can reframe a panel’s composition quickly, repositioning objects, adjusting angles, based on how I describe what I want. The back-and-forth is productive.
That’s the experiment. Here’s what it means.
The production gap closed. The 10 to 20 ideas on paper now have a path to 10 to 20 strips. The thinking part, the theme, the dry humor, the character dialogue, the punchline, none of that came from Gemini. That part is still mine. What Gemini removed was the rendering work sitting between the idea and the finished image.
But I noticed something else worth naming. Gemini is a good imitator. Feed it a consistent style, it replicates the style. I’ve seen someone on LinkedIn feed a child’s dinosaur drawing into the same kind of tool. The output was detailed, cinematic, the kind of thing you’d see in a film. The AI had extrapolated past the source material into its own idea of what a dinosaur should look like. The child’s version disappeared.

That’s a different thing from what I did. My strips have a consistent style. Gemini stayed inside it, mostly, with reminding. But if the source material had problems baked into it, the output would have reproduced those problems faithfully, and faster.
Apply that to an organisation. Feed AI your broken processes, you get faster broken processes. The tool doesn’t audit what you give it. It amplifies it. Garbage in, garbage out, just at a speed that makes the garbage harder to spot.
I want to be honest about something else. Drawing is meditative for me. The slow process of sketching a bald character, finding the right angle, sometimes realising mid-sketch that the idea needs sharpening, that’s part of how the strip develops. I’m not giving that up. The hand-drawn ones will still happen.
But when the idea is clear, the message is ready, and the only thing left is hours of rendering work, that’s where Gemini earns its place. A bicycle. I still have to steer, and apparently I have to keep reminding it that my characters don’t have mouths.
The production bottleneck is the real constraint in most creative work, the gap between having an idea and having something to show for it. If AI closes that gap without touching the thinking, the thinking gets more time. That’s the trade I keep coming back to.
Just make sure what you’re feeding it is worth amplifying.
I have 10 to 20 strips waiting. I’ll let you know how many survive the experiment.

